Caty McCarthy
With the most bewitching tale the series has ever told and an incredibly likable cast that rises above their typical archetypes, Persona 5 sings a song of rebellion. Not just against the norm of JRPGs, but of society's oppressive grasp, inspiring its players to rise up as the Phantom Thieves would. In the end, in spite of its minor missteps, Persona 5 has the power to steal the hearts of longterm fans of the series and newcomers alike.
We don't get games like Nier: Automata too often. And by that I mean games that simultaneously weave a deeply harrowing existentialist narrative, in addition to playing with our expectations on how we play games. There's nothing else around like Nier: Automata (except for maybe its predecessor). And in an industry that sometimes leans too heavily on sameness, it's wholly refreshing.
All considered as the sum of its many, equally magnificent parts, Kentucky Route Zero is a game I won't forget for a long, long time.
For all the new in Kingdom Hearts 3, there is plenty of the old too. The action combat is more satisfying than it's ever been, even if it's a tad easy to skate through the main storyline. For longtime fans of the series, all those emotional payoffs that have been building for 17 years await. For newcomers, buckle up: because you're in for a wild ride of bonkers Disney interactions and some exciting boss battles.
By the end of What Remains of Edith Finch, I felt close to the Finch family. I felt close in a way that only games could articulate with their unique interactive language. I was a kid on a swing, trying to get as high as he can. I was a baby in a bathtub. I was a curious, hungry kid. What Remains of Edith Finch doesn't just tell you about the tragic history of the Finch family, it allows you to embody it.
Uncharted: The Lost Legacy doesn't reinvent the series. It takes one idea, the open-world area from Uncharted 4, and expands on it. Otherwise, this is an Uncharted game from top to bottom, with all the action and adventure that entails. Nathan Drake and Sully may be gone, but Chloe Frazier and Nadine Ross are more than able to fill their shoes.
On Tokyo 42's website, the developers boast the game as a beloved blend of Syndicate and Grand Theft Auto, and honestly, they couldn't be more wrong and right. It's both those games in spirit, but twists them into something wholly its own. Tokyo 42 is an isometric cyberpoppunk action-shooter with a city that's worth getting lost in.
Wolfenstein 2: The New Colossus builds on the first game, making for another superb linear first-person shooter campaign. It's an empowering journey that BJ goes on—rising from his near death experience from The New Order to be stronger than ever, befriending others who are just as tough and ready to take back what the Nazis stole from them: their country.
Danganronpa V3 might end up being a controversial entry for fans close to the series, but its twists and turns are worth seeing through. With additional minigames and mechanics, the trials are more exciting than they've ever been before; its cast is even more endearing than past games; and best of all, its murders are still a delight to solve. After all, there's no better feeling than personally realizing something before the game even points at it directly.
Platformers, especially those with a retro flair, come along often. But so rarely do they work as well as Celeste does. Celeste is an exercise of excellence in the well-trodden platforming genre. Whether it's the score that kicks up just as busily just as heroine Madeleine does, the mechanics that build and build with each new room you uncover, or its lushly pixelated landscapes: there's a lot to love in Celeste. It's the sort of game that makes you feel strong while playing it; if you can dash-jump through impossible holes between narrow icy spikes to climb that goddamn mountain, you can probably do anything.
Hitman 2 may just be more Hitman, but it's somehow even better than before.
With real-world headlines more harrowing than ever, there's never been a better time to go on vacation within Animal Crossing: New Horizons.
Tony Hawk's Pro Skater 1 + 2 is the perfect remake. It doesn't just recapture what made the series so beloved, but helps us fall in love with mastering combos and finding secret areas all over again. The one major downfall of Tony Hawk's Pro Skater 1 + 2 is a relatively slight one: its multiplayer options are slim at launch. Even being a grinding, rolling advertisement for the sorts of brands you'd find at Zumiez, all the brands's non-stop presence is something undeniably Tony Hawk-and hell, I'd be lying if I said I didn't have a cart waiting to check out at Zumiez now. Tony Hawk's Pro Skater 1 + 2 is an excellent remake with a rare power: the power to make skaters of us all.
Katamari-likes are not quite a genre, but Donut County makes a case that it should be. Its inspiration is clear, and it takes the toy-like nature of its vision farther with a resonate message at its center. Moving around a hole and consuming all the low-poly things that lie in your path never really gets old from a mechanical perspective, even if the scripted scenarios do upon a replay from its level select. Donut County may not only make you hungry for donuts, it'll make you hungry for supporting your local family-run shops too.
Thimbleweed Park has sharp, often hilarious writing and convoluted puzzles to spare. All in all, it's a welcome return to the point-and-click adventure, even if it ends up feeling a bit like a b-side to the classics before it.
Splatoon 2 doesn't add much to shake up the splat-paint-everywhere formula, but I wonder if it needs to at this point. Splatoon 2 is a much stronger game at launch than its original ever was through its whole lifespan, and for that, is easily one of the best games one can own on the Switch.
Sonic Mania is a brilliant return to form for the series' long-time away from traditional 2D games. Even if a few less remixed stages and more new zones would have been a nice change of pace, Sonic Mania's joyful level of ingenuity even in reimagining familiar sights is a testament to some of the franchise's best days.
You may think it's impossible to feel empathetic over an inanimate blanket, and yet, in Forgotton Anne it feels like second nature. And not just for blankets—for all long forgotten things brought to life in the magical Forgotten Lands. While the platforming is often frustrating, the game's captivating world, art direction, and meaningful choices more than make up for it.
The Gardens Between is a great example of a puzzle game with the most simple of mechanics, showcasing how much can be stretched out of so little. Its light story of friendship is sweet (if not a bit too saccharine). It complements the core mechanic of controlling the passage of time, and well, the inevitability of how no matter how much you'd like time to stand still sometimes, it'll move along regardless.
Sometimes Tetris Effect dances into the profound: wherein the music, the visuals, and the act of playing Tetris can make you—dare I say it—emotional. Then there's the other side of Tetris Effect, the tedium with instant-fast speeds and hard-to-discern tetrominos in more than just a few levels. Tetris Effect is at its best when it's just normal Tetris, with no strange shapes for blocks; with just the music and visuals to help you drift away as you fall into a flow. In PlayStation VR, that effect is only leveraged, making it a must-own game for the virtual reality platform.