Capes is a valiant effort at a relatively unique idea, one that I personally have wanted since I heard Midnight Sons would have a card-based attack system. It isn't perfect, it could do with a little more polish, and it's occasionally a bit frustrating, but it's deep, challenging and the story is enjoyable enough if you like comic books' campy style. Considering this is Spitfire Interactive's debut game, it has absolutely convinced me to keep an eye on their future projects.
Stellar Blade is a pretty enjoyable game to swing your hairband sword at, so long as you don't mind the obvious sexualisation. There's a few rough areas, but nothing to spoil things overall and there's plenty of interesting story to uncover as you fight your way through giant monsters with circular saws for heads and weird tentacles for legs.
I really wanted to like Hightower and I kind of do, thanks to all of the passion and cute touches that are peeking through the cracks. Whether it's the inclusion of old movie trivia that can skip a battle, some Charlie Chaplin footage, a scene where you're trapped behind a wall and more, it's clear there was a real vision here, and while it may not be fully realised, I admire the effort. The end product falls short on a number of levels, but I have a soft spot for it regardless and will be keeping an eye on the developer's future games.
Whilst Train Sim World 4 does the train sim part quite well, the world part is incredibly lacking - it comes with only three routes in the base game and the others cost significantly more than you might expect. All of those routes are in North America or Europe, even the DLCs, which would make it a much smaller world than the one I live in. If you love trains and have plenty of train sim money, Train Sim World is a good option for running routes. Just be aware that you'll probably be paying more than is reasonable.
Trepang2 is a clear love letter to the FEAR games, taking heavy inspiration from that series and mixing in some optical camo and monsters that aren't a scary little girl with an increasingly horrendous backstory. It's not a perfect game and it is a bit short, but once you trigger the slo-mo and start blasting, you won't really care.
Suicide Squad: Kill the Justice League is a perfect example of how live services can sap all the energy out of a game experience. The story, the character and gameplay all range from good to fantastic, but the missions grow stale before too long, the loot system's few bright spots are tarnished by the chore of everything else you earn, and the story and characters all but evaporate once you reach the endgame.
The Last of Us Part 2 Remastered refines and improves a much misunderstood masterpiece. It's hard not to be amazed at how good this game still looks, and it comes with a new mode and some behind the scenes stuff to enjoy.
Call of Duty: Modern Warfare 3 isn't an outright bad game, but it's also not a particularly good one. Taken on its own, it's a slightly above average first person shooter with a poor campaign, but in context, you can see how hurried and limited in scope this game really is. The multiplayer is effectively a classic map pack, Zombies and Open Combat Missions are game modes built within the existing Warzone map, and the campaign's pacing and story come up short. It all adds up to a lacklustre experience and even a sense that Call of Duty is at risk of losing its identity.
Ghostrunner 2 is undoubtably excellent. While it's a tough and challenging game, the quick reloads help alleviate frustration and replace it with the "just one more try" drive to overcome it. There's a handful of small control niggles that might annoy, and if repeatedly dying is a pet video game peeve of yours, it might not be for you, but if the game gets its hooks into you, it's a sheer, visceral delight of dude slicing, shuriken flinging, laser dodging, taking a bullet to the face, reloading, and trying it all again.
Assassin's Creed Mirage will appeal to anyone who's been pining for a return to the old school open world stealth of the earlier games. It's pretty much exactly that with a few extra refinements and additions. Some of those additions are a bit distracting and immersion breaking, but nothing gets in the way of some good old fashioned assassinations.
Baldur's Gate 3 is a masterpiece and a true next generation RPG. Sure it has a handful of small issues, but they pale in comparison to the quality of the writing, the depth in character creation, the sheer wealth of options available to players, the voice acting, the gorgeous world, which are all just exemplary. There's no wonder it has sent ripples through the industry and gathered more attention than even Larian expected, it's got quality and creativity leaking out of every frame.
It's not perfect but it is unique and it's a joy to explore the depths of the north sea in your cute little submarine.
Atlas Fallen is at its best when you're fighting huge enemies with your carefully constructed (by trial and error) build, but when you're repeatedly fighting the same enemies, when the story falls flat, and the environments blend into one, it starts to get dull and frustrating quickly.
Diablo IV is almost shockingly refined, with an absorbing story and addictive gameplay. The shift to always online and connected play might turn some away, and the level scaling can make combat a little same-y, but on the whole, this is still Diablo at its best. It plays very well, offers tonnes of options for tailoring your character and acquiring that all important hunt for better and better loot will keep you coming back for more.
The Lord of the Rings: Gollum was conceptually a game with some promise, but from what I've seen so far, it's a mediocre and messy experience that doesn't really come together into a cohesive whole. That is, of course, before coming to the bugs, the crashes and the game-breaking progression issues that make it impossible to complete at this time. Considering that I was actually looking forward to this, this one really stings.
Atomic Heart is a bit of a surprise. It's not perfect and the open world is an unneeded dilution, but when you're in the story missions it's always entertaining, despite occasionally dragging things out a little. It can be a bit strange, but it's the self aware kind of strange that can be a bit charming. And the robots are pretty great.
The Witcher 3: Wild Hunt – Complete Edition is as essential now as it was seven years ago. Whether you're looking to play the game for the first time or have been waiting for this free upgrade (and bonus quest) before revisiting, then this is the perfect time to start. It's a masterpiece and still stands at the top of its genre.
Gungrave G.O.R.E is a decent game. It's not the best shooter, but it is often very entertaining if just for the spectacle. It has a few issues, mostly in level design, and the story isn't particularly memorable, but there's plenty of fun to be had in chainsawing your enemies with a transforming coffin.
Dying Light 2: Bloody Ties distills all the highlights and flaws of the main game. If you want a little more story and a bunch of new timed trials to tackle, it's only £8, but it won't change your mind about the game. If you originally came to Dying Light 2 for zombies and are disappointed, this won't change your mind, and if you're here because you want to fight like a gladiator in an arena, this definitely isn't the place for you.
I adore so much of Pathfinder: Wrath of the Righteous, from being able to play as an undead lich, to how the story adapts to that choice like you're playing through an incredibly detailed dark fantasy book. That's why I'm almost devastated by the game's lack of polish. It's unbalanced, there's bugs that forced regular restarts, and the console UI isn't suited to managing a crusade, which isn't as interesting as kingdom management. If this is your kind of game, you're better off trying to play on PC. Otherwise, you can join me in enjoying the game despite itself, or play Kingmaker until this has had some significant patches.