Gareth Chadwick
Disco Elysium: The Final Cut is a work of genius. I'm planning to immediately replay it, simply because I don't want it to be over yet. The story is absolutely captivating, the world is filled to the brim with detail, and the characters and their motivations are remarkably well thought out. It made me laugh at absurd moment, made me gasp with the twists in the story, and I've developed an attachment to the main character's partner, Kim Kitsuragi, and his endless patience with me shooting finger guns at him as much as possible. Disco Elysium: The Final Cut is a masterwork and you are doing yourself a disservice if you miss it.
The Witcher 3: Wild Hunt – Complete Edition is as essential now as it was seven years ago. Whether you're looking to play the game for the first time or have been waiting for this free upgrade (and bonus quest) before revisiting, then this is the perfect time to start. It's a masterpiece and still stands at the top of its genre.
For fans of fast-paced, over the top twin stick action, complete with bullet time and a score system that awards perfection, Bleed 2 is excellent. The only real issue is its length, which is remedied to an extent by additional characters, weapons, and modes. If arcade, Contra/Metal Slug action is your thing and you've been missing it, you could do much worse than Bleed 2.
Far Cry 5 is another improvement to a series that hit its stride quite a long time ago. It gets a recommendation not because of any of its individual features, but because they all combine together into a game that becomes paradoxically funny and horrifying, occasionally at the same time.
Marvel's Spider-Man does a spectacular job of making you feel like the ultimate Spider-Man. From swinging through the city at high speed to fighting off legions of enemies by zipping between them and pulling them into the air, its gameplay looks like a scene from the films. It's remarkably well realised in terms of its world, design, and even technically, with short loading times and a rock solid framerate even on the base PlayStation 4. If Spider-Man is your thing then this is an essential purchase.
Paper Beast is a beautiful experience that's only really possible in VR.
Dungeon of the Endless combines the roguelite and tower defence genres in a way that makes it deeper than the sum of its parts. It's challenging, but rewarding, and if you're a fan of the roguelite genre, then this is one of the most interesting ones from the last few years.
Going Under is an excellent roguelite that is challenging, rewarding and hilarious at the same time. It takes a little while to get going, but once it does it's a delight. As a scathingly satirical look at tech startups and culture it's likely unmatched, helping it to stay fresh and funny for a long time.
One Finger Death Punch 2 is as fully realised as it can be. It's taken the concept of a two button action game and wrung every last drop out of the concept. What results is a game that is hilariously fun, yet heart pounding at its most intense. It's repetitive, sure, but incredibly playable and varied enough that things are just fresh enough to keep you thinking "just one more go."
Solar Ash is one of the best games of the year. It looks gorgeous, its story is pretty unique and surprising, and its set-piece moments get really intense, as you might expect from skating along the back of a black goo and bone dragon. It's a nice surprise to end the year with that any "skating combined with combat and gigantic monsters" enthusiasts, which is definitely already a thing.
Moss: Book 2 expands and improves on its predecessor in every way. Whether it's the emotional attachment you develop with Quill, the surprising twists the story goes through, or the inventiveness of the combat and puzzles, Moss: Book 2 is creative in a way that delights at every turn. If you've got PSVR, it's pretty much essential.
Diablo IV is almost shockingly refined, with an absorbing story and addictive gameplay. The shift to always online and connected play might turn some away, and the level scaling can make combat a little same-y, but on the whole, this is still Diablo at its best. It plays very well, offers tonnes of options for tailoring your character and acquiring that all important hunt for better and better loot will keep you coming back for more.
Baldur's Gate 3 is a masterpiece and a true next generation RPG. Sure it has a handful of small issues, but they pale in comparison to the quality of the writing, the depth in character creation, the sheer wealth of options available to players, the voice acting, the gorgeous world, which are all just exemplary. There's no wonder it has sent ripples through the industry and gathered more attention than even Larian expected, it's got quality and creativity leaking out of every frame.
Ghostrunner 2 is undoubtably excellent. While it's a tough and challenging game, the quick reloads help alleviate frustration and replace it with the "just one more try" drive to overcome it. There's a handful of small control niggles that might annoy, and if repeatedly dying is a pet video game peeve of yours, it might not be for you, but if the game gets its hooks into you, it's a sheer, visceral delight of dude slicing, shuriken flinging, laser dodging, taking a bullet to the face, reloading, and trying it all again.
The worries I had regarding passing the reins over to another developer and publisher are laid to rest here. It is far from a perfect game but the fighting, particularly striking, is the best it has ever been. EA Canada has done a good job of showing that the UFC series is in good hands by delivering an excellent game.
After taking a year off, Assassin's Creed is going through a transitional period and taking players back to the very founding of the Brotherhood in Ancient Egypt is symbolic of that. The vast new setting, the improved combat system and moving the series towards being a real action RPG have injected this series with a new life.
Comet Crash 2 is a uniquely well designed game. It stirs just enough resource gathering and unit management to add depth without taking anything away from the tower defense, creating a gameplay with two parts that complement each other strongly. It's an easy recommendation to fans of either genre.
Ultimately, Pillars of Eternity is a stellar entry into its genre, but one that won't win over people who are not already fans. It is huge and richly detailed, with more history than some actual periods of real life, and a rare amount of care and attention. It's probably a better experience on a PC, but it's still definitely worth playing on console if it's your only option.
Ultimately, for all its storylines and RPG elements, Defender's Quest is very much about the tower defence at its core, with all the other systems in the game either informing the core experience or accommodating it. That tower defence gameplay is exceptionally strong, full of options and customisation, and the other missed opportunities do little to take away from that.
Assassin's Creed Odyssey throws so much stuff at you, it's difficult to sift through it all. It's a beautiful game to look at and the story is intriguing, but it feels like a game that could have been a little more ambitious if given more time to develop. There's good ideas, from the branching story and character choice to the return of ship-based combat, but its ambitions also fray around the edges in a way that Origins didn't.