True Colors makes each moment matter as it forms the identity of a woman I came to care for and relate to in ways that few games have managed to achieve. This brings me back to the sibling bond between Alex and Gabe, and how it feels like a virtual replacement for the bond between myself and the brother I wasn’t able to bid farewell to. I had that chance here, and I can’t describe how much that means to me. Without being overly poetic or needlessly saccharine, I’m glad more games are engaging with how we can learn, grow, and love as human beings, and the rewards that come with accepting such hardships along the way. Life is Strange: True Colors truly is something special.
Death Stranding remains a bizarre masterpiece on PS5, and the director’s cut only further cements that reputation with a number of worthwhile new ideas that enhance the act of delivering packages across a picturesque landscape of nothingness. The story of Sam Porter Bridges is overblown and wondrous, taking hold of you and refusing to let go as you’re dragged into an adventure that takes the medium to places it has never been before. It’s mindless self-indulgence of the highest order, and it’s rare to see a game deliver upon its overarching ambition in such a bold, uncompromising way in the modern era. For that very reason, it deserves to be celebrated.
FromSoftware doesn’t rewrite the medium’s rulebook, but does tear its own tenets asunder while reconstructing them into a cohesive whole that outclasses all that came before it. The Lands Between invites you to explore it with an unparalleled level of freedom, offering up a plate of seemingly impenetrable challenges and intimately constructed stories that are always a delight to indulge in. This is, without doubt, one of the best games in recent memory.
Monolith Soft has crafted a JRPG that is so colossal yet also intricately focused. It delivers an experience that iterates upon everything its predecessors managed to achieve, resulting in a masterpiece that I am utterly enraptured by. Part of me feels like I’m still stewing in a cauldron of hyperbole, but in terms of characters, themes, and a world that I never want to leave behind - this is the series at its very best, and I can’t wait to see where it goes next.
The Legend of Zelda: Tears of the Kingdom is a masterpiece that not only equals what came before, it does everything in its power to surpass it..
This feels like the game this developer has wanted to make for years, unrestrained in the best possible way as it goes hard on layered storytelling, flawed yet fascinating heroes and a series which for over a decade now has been harbouring untold potential.
You’ll not only be entertained by Monster Hunter World: Iceborne for hours, but you will be in awe of its complex systems, and how they align so well to create an unforgettable expansion to an already fantastic game.
Death Stranding is unlike anything else out there right now. It's huge, innovative and utterly unashamed in what it wants to be. Kojima Productions is heavy-handed in its implementation of modern political themes, but they tie into the narrative and involve the player in ways that feel compelling.
Animal Crossing: New Horizons is the best game I've played this year, and immediately cements itself as one of the generation's defining experiences. Fans will be playing it for years, watching as the seasons roll by and unveil the true potential of what has been created here.
The Last of Us 2 is a masterful swansong for the PlayStation 4, and arguably the finest, most accomplished project Naughty Dog has ever embarked on. It’s far more than a traditional sequel, taking the original’s core message and expanding upon in ways that will be looked back on as brave, ambitious and undeniably controversial.
In the modern landscape it's easy to believe we've seen everything the medium has to offer, but then a title such as Astro's Playroom comes along and redefines all previous conventions. It's pure platforming excellence and hopefully spells a bright future for one of Sony's finest current mascots.
Demon's Souls is a masterpiece. Bluepoint Games has crafted a beautiful remake that embodies everything that made the original experience so special, maintaining all of its vital elements while building upon everything that matters. This can proudly join Breath of the Wild as one of the best launch games of all time.
Intermission is an excellent expansion for the world of Final Fantasy 7 Remake, introducing Yuffie Kisaragi and expanding upon her character and history in ways that simply weren’t possible in the 1997 original. She absolutely steals the show here, bolstered up by a selection of compelling newcomers and a continuation of the main narrative that teases a tantalisingly exciting future for this ambitious project. I’m unsure when we will next see something from Final Fantasy 7 Remake, but if it’s anything like this - we’re in for a treat.
If the campaign will continue to be built upon with similarly intimate stories revolving around Master Chief and The Weapon then I cannot wait to see them, since the potential here for expansion is limitless. Multiplayer is spectacular, even as it struggles with teething issues associated with becoming a live-service model. At its core the punchy gunplay, reactive movement, and reliance on teamwork remains, and that’s all Halo Infinite needs to become a winner. As someone who grew up as a blubbering fangirl, it feels so good to see Master Chief deliver an adventure that is once again worthy of his iconic status.
The Legacy of Thieves Collection compiles the two finest games in the Uncharted series while making them look and feel better than ever before. Yet they already pushed boundaries that are yet to be usurped, meaning existing owners of this game need to shell out for a relatively minimal upgrade without too much to offer. I still think it’s more than worthwhile just to relive these adventures once again, but part of me wishes a little more effort was placed into bringing them to life for a new generation.
Northway Games has crafted one of my highlights of the year with this narrative adventure. It’s wonderfully engrossing and hiding so many worthwhile character moments and gorgeous secrets well worth uncovering. I’ve already spent so many hours with the game and feel like I have barely scratched the surface, prepared to dive back in and live out this life over and over again until I settle on an imperfect resolution that feels well and truly my own.
Somerville is one of the year’s biggest surprises, and I’m still shocked to see it fly under the radar. Its portrayal of an alien invasion raging across the British countryside hit close to home, while the story of a father searching for his family and being tied up in a dilemma so much bigger than he ever imagined is both nothing like I expected and everything I wanted. I can’t wait to see players far smarter than I piece its most devious puzzles together, since there are still so many questions waiting to be answered.
Sekiro: Shadows Die Twice is one of the best games to emerge this year, adding yet another masterpiece to FromSoftware's formidable catalogue of grim, uncompromising experiences.
Apex Legends remains one of the finest examples of battle royale in the medium and has only propelled itself to lofty new heights since crashing onto the scene back in 2019. Its future continues to look tremendously bright, with Respawn Entertainment listening intently to fans and building upon an already stellar foundation.
Fire Emblem: Three Houses is a triumphant RPG experience and one of the greatest games you can play on Nintendo Switch right now. It takes the series' formula and propels it forward with some fascinating new changes, and every single system works in tandem to create something rather stunning. Technical blemishes aside, Intelligent Systems has really outdone itself here.