John Rairdin's Reviews
Bayonetta 2 is an absolute masterpiece that should be experienced even if the character action game genre is not normally your cup of tea. It gleams with creativity and polish in absolutely every department.
It is a testament not only to what the genre has always been, but the potential of what it could become. It is a triumphant return of Samus Aran as the undisputed queen of the genre. Long may she reign.
It is loyal to the original in its re-working of its art, yet unafraid to push the absolute boundaries of those original designs. The underlying brilliance of Retro's original masterpiece shines forth from this new shell, pristine as ever. This is the definitive release of one of the greatest video games ever made, and an incredible glimpse into the future of the Prime series.
It sets a precedent for JRPGs on the Switch that I doubt will be topped, unless of course Monolith Soft somehow manages to pump out a Xenoblade Chronicles X 2 before the end of the generation.
Whether Witcher 3 will be your entry point into the larger Witcher universe or you're a longtime fan, I cannot recommend it enough. It is a game that to some extent transcends its genre and one that everyone should play. Witcher 3 is not only one of the most impressive of the impossible ports on Switch, it is one of the best games on Switch, and perhaps the finest western RPG of all time.
This is a game that shows the value of a game being given time to cook and of a studio that has supported a consistent group of developers working on the same series for decades. The Legend of Zelda: Tears of the Kingdom is not a game anyone else could make. This is why you bought your Switch, even if you didn't know it at the time.
It incorporates fresh ideas and presents them in unique ways, but it never forgets where it comes from. The co-op online shooter genre is a bold new venture for Nintendo, and one they’ve taken to with surprising aptitude. The odd lack of a retry button ads a noticeable hiccup to an otherwise wonderful experience, but it is one that is easily overcome with a little patience. The default controls improve upon those of the original Prime games brilliantly. All of this is wrapped up in a fantastic presentation that will keep you locked into the game’s story until the very end.
The segmented, sector-by-sector gameplay is perfect for on-the-go play. It employs its genre better than most and manages not to feel too repetitive even as you die over and over again. This is a game that will be at the top of my Switch home screen for a long time to come.
Each boss is uniquely designed, and realized with an outstanding degree of care and attention. From the moment you boot Mechstermination Force, it is immediately fun, and that fun never stops. This is a gameplay loop distilled to its purest form, and it is an absolute joy.
The worlds of Myst continued to be developed for years after the original's release, and while its sequels developed on the incredibly rich lore and plot, for my money none of them ever quite recaptured the feeling of the original. While the Switch version has some minor performance issues, they're more than made up for by portability and the option to play with touch controls in classic mode. If you've never played Myst, or if you grew up with the original, take this excuse to journey back to the ages of Myst and get lost all over again.
Not because there was some grand adventure to be had, but because I wanted to keep spending time with these characters. I wanted to see where their lives would take them. Embracelet is a brief glimpse into a beautiful world, and while I'm sad it's over, I'm glad I was able to be part of it while I could.
Regardless of how you came to Xenoblade, either through one of many incarnations of the original, or through its sequel, Xenoblade Chronicles 3 strives to satiate all audiences and it is largely successful in this endeavor while also presenting something entirely new. This is not just Xenoblade meets Xenoblade 2. In many ways it is greater than the sum of its parts and those parts already added up to quite a bit.
Future Redeemed feels like a final piece to a story more than a decade in the making. It re-unites old friends, reminds you that N is still one of the best villains the series has ever come up with, and reignites that feeling you had when the original Xenoblade suddenly cut to a space station and your perception of the game permanently shifted. If Takahashi decides to revisit this universe in the future, I'll happily join in, but if this truely does mark the end for the Klaus trilogy, I leave happy.
It is hard not to be absolutely blown away by Super Mario Bros. Wonder. It is easily the best 2D Mario in over thirty years. It does this by not trying so hard to match the past, and instead focus on new ideas and learn from how Mario has evolved in other dimensions since then. That being said, it does make the areas where Wonder gets tripped up feel all the more egregious. Not because there are issues to be solved, but because none of them are inherent to any of the new ideas. Gating difficulty options behind certain characters, the locked-in multiplayer camera, and the extreme lack of boss variety are all issues that have been with Mario for years. It is one thing when bold new design brings up new challenges, but these are just old complaints that don't really have an excuse for not being fixed by now. Of course that doesn't take away from the excellence of this title, but they do stand out. However, even with these blemishes, at the end of the day Super Mario Bros. Wonder is an incredible breath of fresh air overall. It has reaffirmed that 2D Mario has the potential to be more than just good, it can be incredible. It sweeps away any concerns I had that my love of the best games in the series isn't just nostalgia and that a truly original 2D Mario absolutely has the potential to stand alongside Super Mario Bros. 3, and Super Mario World. While Super Mario Bros. Wonder isn't quite perfect, it is a gleaming star we can hopefully follow into a new era for 2D Mario.
Even playing it my third time through, I still found it absolutely delightful. While its original weak points remain present in this remaster, so to do its strengths shine through. The customizable performance options, coupled with the Switch's portability make this my favorite way to play an excellent game. Bring on Darksiders II and Darksiders III.
The new characters are a welcome addition to the world. The story presents fresh ideas and feels like a worthy follow up to The Fall. The occasional awkward mechanic aside, The Fall Part 2 presents an exciting and satisfying adventure. Now get to work on part three!.
Lienzo has excellently implemented their cultural source material into a video game, without sacrificing the video game. Set in an original world Mulaka would still be a fun game, but the love and creativity brought about by the Tarahumara culture permeates the game in a way that makes it something truly special. While the game isn't perfect, its ability to preserve a culture through an active medium while still being an enjoyable gaming experience is a trend I hope Lienzo and other are able to continue in the future.
The story, though somewhat predictable, is still fun and well executed. It's an attractive game with a solid hook, that plays well regardless of your Switch playstyle preferences. It's an easy recommendation for anyone who loves dungeon crawlers, or fast-paced strategic combat.
The story and gameplay all hold their own well against the Xenoblade series reputation for excellence, and will likely leave you wanting more.
Some of the best content is in fact free, meaning that even if you're done spending money on Starlink, it is worth taking the time to revisit it for this update. If you're hankering for more Star Fox adventures (no pun intended), then take that extra step and call in the team. Ultimately, it serves as an unexpected but welcome send off to a game that sadly ended too soon. For the faithful, attach that giant plastic Arwing to your Joy-Con one last time, and head back into Atlas.