2023’s Dead Island 2 was gaming junk food in the best possible way. It was dumb fun surrounded by smart humor and satire. In SoLa, none of that has really changed. Melee combat is still visceral — literally — and bloody good fun. The game’s visuals remain sharp, detailed, and full of humorous touches. The new DLC is an improvement over Haus, but there are more and more moments where things feel a bit stale, too. Come to SoLa with realistic expectations for more of the same, and it’ll be a pretty good time. Let’s hope that the planned third DLC shakes things up.
I guess I can imagine a group of friends spending a few moments — and even fewer brain cells — blasting through a few levels of Perish. I can’t conceive of a solo player doing anything but bouncing off the game’s repetitive and unsatisfying combat. Aside from some sharp visuals and a nonsensical blend of mythologies, Perish is just too rooted in outdated FPS tropes and bland design to spend much time with.
Tales of Kenzera: Zau is a well-made Metroidvania with an intriguing and culturally unique narrative and setting. It doesn’t try to reinvent the genre, but there’s nothing wrong with sticking to a familiar path if the result is polished and fun. Tales of Kenzera: Zau has a colorful, welcoming vibe with a mythic story to tell and enough action to keep players engaged.
In the end, I think Harold Halibut ought to be experienced for its amazing technical achievement, if nothing else. While its gameplay doesn’t always engage, its narrative, characters, and themes are coherent in the manner of good speculative fiction. Both Harold the character and Harold Halibut the game are weird, wonderful, and quite unlike anything we’ve seen this year.
In the end, Withering Rooms’ somewhat clunky and graceless combat is not enough to seriously detract from what it does well. Withering Rooms looks unlike any recent game in the genre. Its setting is haunting and haunted and its blend of roguelike, puzzle, and action mechanics guarantees variety. It’s a compelling choice for fans of action games with more than a dash of horror.
Broken Roads delivers an engaging exploration of competing ethical systems in the guise of a CRPG. A respectful and authentic setting and characters sweeten the deal, making philosophy fun. The writing is mostly spot-on and entertaining. All that is good news for fans of the genre. Less successful: the game’s awkwardly blended or superficial combat and RPG mechanics. They’re not great, but they don’t seriously undermine the core of what makes Broken Roads unique.
Highwater understands its limitations. It’s not a game that tries to do too much and fails. Some aspects work well, like the world-building, premise, and combat. But I wanted to be told less, and discover more. Given a bigger budget and less restrictive, more open-ended gameplay, Highwater could be a standout in a crowded field. Highwater has good intentions, but it needs a team of writers who understand character and dialogue a little better, and that showing is better than telling.
There are quite a few zoo sims out there, ranging from pixel art constructions to Planet Zoo, which is definitely the ultimate game in the genre. For those without the requisite PC, the PS5 port does a generally outstanding job of translating the Planet Zoo experience to console. It’s genuinely educational, engaging, and addictive fun. I wish the new edition was just a bit more generous with content at launch, but there’s plenty there to work with. Animal and sim lovers should rejoice, Planet Zoo has arrived on consoles at last.
Bulwark: Falconeer Chronicles is an impressive solo achievement. Its disregard for traditional goals, victory conditions or game-limiting objectives makes Bulwark: Falconeer Chronicles stand out in a — pun intended — sea of builders. As a set of automated construction mechanics, the Freebuild Mode feels great. Sometimes the campaign scenarios sit uncomfortably in the middle, tasking players to discover how things work but not always giving them a clear, actionable goal. Fans of games like Townscapers will enjoy Bulwark very much, and players of more traditional RTS games will appreciate its fresh approach to the genre.
From character creation on, Dragon’s Dogma 2 asks to be approached with patience, understanding, and above all, ownership of choices. You get one save at a time.
Although it can be played solo, surviving The Outlast Trials is better and more fun with friends, although they’ll need pretty strong stomachs and a taste for extreme imagery. The Outlast Trials has strong survival puzzle mechanics, a good bit of macabre humor, and a confidently over-the-top presentation. It’ll need some additional content over time for real longevity, but the foundation is strong.
There are lots of ways in which Outcast: A New Beginning punches way, way up. The world is elaborate and thoroughly imagined. Characters are interesting. Some of the game’s mechanics and elements will seem familiar, but in this case Outcast: A New Beginning can claim it was there first. Unrewarding combat and some bland mission design aside, Outcast: A New Beginning reminds me of many AA games that I loved despite their flaws.
Although true horror or explicit gore is nowhere to be found, Reveil’s gameplay is filled with tension, mystery, and some genuine surprises. Its many puzzles are fairly well integrated into the narrative and rarely too frustrating or illogical. Part walking simulator, part puzzle game, and part mind-bending mystery, Reveil is a genre-bender that packs a lot of story and memorable creepiness into its modest length.
I can see the value of The Pirate Queen: A Forgotten Legend as a great introduction to a specific slice of cultural history. After all, what young person doesn’t like pirates? Though they might be disappointed by the absence of Jack Sparrow, Cheng Shih was a formidable character and leader. For older, more experienced gamers spoiled by the likes of Asgard’s Wrath 2, The Pirate Queen will probably feel like an action-adventure downgrade.
Although its vehicles and goals are a bit different than in MudRunner or SnowRunner, Expeditions’ more compact mission structure works equally well. The beautiful and intricate puzzle-like environments offer multiple routes to success when coupled with the game’s tools and toys. Armchair adventurers looking for a mild vicarious thrill behind the wheel will find it, as will virtual driving veterans willing to push their skills and understanding of physics to the limit.
Last Epoch straddles the midpoint between familiar accessibility and depth. There is plenty enough character customization to reward experimentation and repeated play. The basic, addictive ARPG loop is compelling, even if the narrative is a bit muddled. Once past the first few overly familiar hours, Last Epoch starts to really come into its own as an excellent hack-and-slash with lots of potential and staying power.
Pacific Drive is a unique RPG and survival crafting game in a landscape choked with unimaginative copycats and clones. That alone makes it worth checking out. Its story, atmosphere and basic loop are engaging and satisfying. At the default difficulty though, its design and mechanics can frustrate in ways that neither skill or time can overcome. Pacific Drive offers a refreshing RPG experience but the ride is sometimes bumpier than intended.
The original 2009 Solium Infernum was a unique take on turn-based strategy. League of Geeks’ 2024 update preserves and polishes what should have been a familiar classic. Solium Infernum is a complex game more about politics, double dealing and uneasy alliances than fights on the battlefield, though there are those, too. This is a game that might be too dense for more casual players, but patient strategy gamers are in for a treat and a good, long season in hell.
Bandle Tale: A League of Legends Story is a much more ambitious game than most crafting RPGs. It’s accessible to most patient gamers, too, whether they’ve played League or not. The crafting elements are good, if occasionally opaque. Unfortunately, the game’s unvaried tone and extended length padded out by some dull quests takes away some of the fun.
Ultros is a game with a very strong visual identity, trippy theme and a few unique mechanics, like its gardening system for upgrades and abilities. Strip away the psychedelic art and gauzy narrative, however, and you’re left with a somewhat familiar-playing 2D Metroidvania. That isn’t necessarily bad, but I wish the game’s combat and exploration matched the imagination of its art.