NieR Replicant overall is a successful remaster, with a bit of spit and polish improving many facets of the original game, but with some of the negatives unfortunately carrying over as well. The end result is an action RPG that will keep most players entertained for many hours, as the story, combat, and characters outweigh the boredom of Replicant’s sometimes repetitive gameplay.
In developing Subnautica: Below Zero, Unknown Worlds heeded the lessons learned from Subnautica and the feedback received from players about both games over the years. Below Zero has taken no steps backward and instead offers an even more polished experience than its predecessor. As for gameplay and story, it’s not necessarily a better game, but it is certainly just as good.
Pathway overall feels like a lite version of a turn-based game, and the monotony sets in fairly quickly. There are no plot twists to keep the story engaging, because there really is no story but rather the shallow foundation of one. Although the game can be beaten in 10 to 20 hours, it's questionable whether many gamers will see it through to the end. It may suck players in for a while, but the game simply is not dynamic enough to maintain interest long term. In the end, Pathway feels all the more dissatisfying because it had such potential. Robotality’s creation can be compared to an itch under the skin that can almost be scratched, but not quite.
Ender Lilies: Quietus of the Knights is a charming and melancholy Metroidvania that doesn't stray far from its roots and inspirations.
Flightless has also released a game called Element, which the developers describe as a “real-time strategy space game for people who don’t have time to play real-time strategy space games.” That same premise seems to be the purpose of Doomsday Vault. It’s a puzzle game for people who don’t have the time or energy to challenge themselves with a puzzle game. It’s an enjoyable experience, just not a memorable one.
Pathfinder: Wrath of the Righteous provides an impressively deep CRPG experience, but tosses in some frustration and bugs to go with it.
These issues are unfortunate because Sable is a remarkable game that would normally warrant a higher rating. But the problems, although minor for the most part, were encountered with such regularity that they can’t be overlooked. Hopefully, Raw Fury will fix these hiccups quickly because, without those flaws, Sable truly is a beautiful and minimalist journey through an open world that is a joy to explore.
Overall, Nobody Saves the World could have been exceptional, but there are certain aspects that are lacking. The expected Drinkbox Studios humor isn’t pervasive enough to keep people playing to see what’s next, the story is negligible and seems like something tossed in to give players a half-hearted sense of purpose, and the repetitiveness of quests gets tiresome very quickly. The positives of the game – the appealing art style, variety of skills and dungeons, and perhaps multiplayer — might not be enough to keep players interested either. That being said, the gameplay and presentation of Nobody Saves the World will undoubtedly win over many people, and it may capture the attention of others for a solid chunk of time.
Ultimately, Land of Screens may serve as a helpful reminder for a few players, but most people already know that it’s important to look up from their devices sometimes. As a non-developer, it’s difficult to see how Serenity Forge could have relayed its message in a more engaging manner, but there are developers who have successfully sneaked a societal call to action into their games. This is usually accomplished by focusing on gameplay first and sprinkling the message throughout for people to uncover themselves. Instead, Serenity Forge has made the entirety of Land of Screens about the message and only marginally concentrated on anything else. This has resulted in a flat experience that lacks the ability to inspire.
More than an open-world Dark Souls, FromSoftware's Elden Ring offers a new experience that will still feel familiar and satisfying to fans.
Dicey's Zelda-inspired indie adventure Tunic gives players a magical world to explore, if they can handle the game's difficulty.
Supermassive's The Quarry is one of the best games from the developer since Until Dawn, but it still has some recurring issues from previous titles.
Beacon Pines offers a quirky gameplay hook, pleasing art style, and an unexpected mystery, but that might not win over more than a select group.
It probably won’t appeal to those who have a hunkering for a more action-oriented experience. But for a relaxing evening on the couch, without much thinking required, the adventure title definitely delivers. It’s simply a beautiful game, both in terms of graphics and the story that it tells, and will leave players with a pleasant sense of wonder, curiosity, and vague nostalgia.
Octopath Traveler 2 is more of the same with side quests, interesting characters, and a large world to explore. It essentially gives fans of the first game an additional 60 hours of what they already enjoyed, and newcomers can jump right into the sequel without worrying about what they might have missed.
Luckily, as the player progresses, builds an army of strong combatants with useful quirks, accumulates a stockpile of weapons and hats, and unlocks perks in the research lab, the game gets easier. The challenge definitely remains, but the balance begins to noticeably shift from frustration to fun. People jumping into Mr. Sun’s Hatbox should be prepared to get annoyed and occasionally exit the game feeling irked. But those who persevere will be rewarded with an indie roguelite that ticks all the boxes and is perfect for a quick, fulfilling play session.
Published by Private Division, Piccolo’s platformer set in a post-human world is a solid offering and another reminder that indie games can provide well-rounded, memorable experiences. After Us can be completed in about 10 hours, 20 for thorough explorers, and nearly every minute of it will be enjoyable. The visuals are impressive, the gameplay is fun, the levels are varied, and though the story is rather simplistic and a bit vague, it serves its purpose. After Us probably won’t rise to the top for many people, but it definitely won't sink to the bottom either.
Ultimately, however, this latest entry in the franchise is simply not exceptional. It’s easy to get sunk in and lose huge chunks of time tending crops and animals or befriending villagers. But, overall, Story of Seasons: A Wonderful Life is a steady middle-of-the-road offering with nothing to recommend over anything else currently available in the genre. Almost every aspect of the game is good but not great.
While every Pikmin game has followed the winning formula that was established two decades ago, each has added its own tweaks here and there. Pikmin 4 seems to have taken the biggest leap in that regard, and yet everything feels like a logical and fitting next step. The core of the gameplay is the same and provides the hours of whimsical RTS challenge and fun that fans expect, while the new modes and mechanics keep it from feeling stale. Every mainline game has been an improvement on the last, and Pikmin 4 is no exception. Other than the co-op, there’s really nothing negative about the game, besides perhaps the loading times. But it’s really a testament to how great Pikmin 4 is that waiting 30 seconds to get back into it is too long.
Overall, Sabotage’s retro-inspired RPG is a strong offering that is doubly impressive considering it’s only the second project from this budding indie studio. There are too many points to expound upon — be it the soundtrack, story, combat, gameplay, or graphics — but they are all skillfully implemented. Even on the technical side, there are no complaints. Sea of Stars is simply a really fun, well-rounded game that any fan of RPGs will surely enjoy.