Stefan L's Reviews
Call of Duty: Ghosts does a good job on all accounts. The single player eventually goes in a direction which I liked and enjoyed, while the multiplayer holds onto what it does best, with a few tweaks to the formula. It even manages to straddle the generational divide quite well, even though the current machines suffer badly in comparison. However, it is generally more of the same, and really doesn't push itself hard enough to overhaul and redefine what Call of Duty can be.
Tearaway is the kind of game that the PS Vita has demanded since launch, something crafted and tailored to its form and its capabilities, but rather than feeling forced, creating an easy sense of wonder fun and inventiveness. Continuing Media Molecule’s push to unleashing our creativity, it also features a story, a world and creations which delight at every turn, no matter how old you are.
Splitting Ground Zeroes back into a separate release was always going to be contentious. Thankfully, there is a lot more gameplay and depth than the early reports of the main mission's length suggested and it's full of potential for exploration, fan service and Kojima's particular brand of hackneyed allegories. Unfortunately, there is still too little primary content to justify the £29.99 price tag or even the £19.99 digital pricing for PS3/360, so I can't recommend this to anyone but a die hard MGS fan.
Add to this the strengths of the world that has been created, Darren Korb's soundtrack, the charm of Ashley Barrett's voice, and the clever story that unfolds, and Transistor is a near essential game to own on PS4.
However, it's let down by certain graphical limitations and a general lack of polish to the presentation. The PlayStation 4 version is very much a transitional release, importantly getting a game out on the new console before starting to refine it over the next few years.
CounterSpy was a game that caught many people's eye with it art style and Cold War setting, but it's great to see that it also has the gameplay to back it up. The mixture of side scrolling stealth with the cover-based 3D shooting is quite an ingenious one, but simple enough that when combined with the randomly generated levels, you can hop into the game for a few minutes and, ignoring a few flaws, find yourself staying for an hour.
Velocity 2X delivers another dose of pitch perfect shoot 'em up gameplay, but refuses the rest on the laurels of its predecessor. Taking Kai out of her Quarp Jet opens up whole other avenues for the gameplay that only gets better and better as you progress, with every other part of the game lavished with further polish and refinement. I can only think to echo the sentiment and the score that we awarded the original.
Destiny is far from a perfect game, with flaws quite clearly apparent in the storytelling and the repetitive formula, but it's also a game that can quite easily keep you coming back for more time and again, especially if you play with friends. It's a shame that some of the ideas in the Vault of Glass Raid couldn't trickle down into the earlier stages, for more variety and intellectual challenge, but it does at least point to an exciting future for the game.
As you finish the Tour and start to take on more and more challenges, Driveclub starts to show its true colours. It may be difficult for some to adapt to in an age where racers sprawl across open worlds featuring hundreds of cars and tons of tracks, but this is a game with a very singular focus. The overarching goals soon start to peel away, and you're left with the purity of competing against the times and records of friends and rivals, the stunning scenery and the joy of driving cars absolutely on the limit.
At the heart of Advanced Warfare is the exoskeleton and all of the possibilities it opens up, transforming the way that you get around amidst the futuristic setting. Yet it delivers on many more levels too, from a compelling story and cast of characters to the graphics and the vast array of options for multiplayer character and loadout customisation. Sledgehammer have shown that there's life in the long-running series yet, and thrown down the gauntlet to Treyarch and Infinity Ward.
LittleBigPlanet 3 is a quite major step forward for the series. The story might not explore all of the potential, but briefly shines a light on what the new possibilities might be for those making their own levels. The wide array of new tools, the removal of limitations and addition of new characters and power-ups will all serve to empower the community to reach new heights.
At its simplest, Evolve is one of the best new ideas to be turned into a game of recent times, invoking so many monster and alien films along the way. Its attention grabbing hook can only take it so far, though, and Evolve needs you to persevere through the first few hours as you get to grips with the hunt and learn how to play the game. Admittedly, it can be hit and miss when paired up with AI players through matchmaking, but as with so many games, it can be pure gold when played with friends.
Zombie Army Trilogy knows what it wants to be, a straightforward zombie sniping game that lacks any real pretensions or delusions of grandeur. Parts of the trilogy are showing their age and difficulty spikes can sap away the fun, but steel yourself for a challenge, get some mates together and there's plenty to like about it.
From the vibrant visuals and the pitch perfect 70s cop theme to the fast and snappy buddy cop action, LA Cops has a lot of great ideas, but hasn't really done enough with them. The partner system in particular could have been something unique and special, evocative of classic buddy cop films and TV series, but in the end, I was just gunning down enemies with my backup around the corner.
Cities: Skylines might be Colossal Order's first attempt at a city builder, but it already feels well rounded and complete. There are a few areas that need improving and others that are crying out to be expanded upon, but those will come in due course, and what's already there lets you build vast cities to your heart's content.
It's easy to dismiss Hardline out of hands as being too far removed from Battlefield's typical setting to be worthy of the name, but even as Visceral ride on the brands coattails, they've had the confidence to adapt that core gameplay to suit a new setting. That's not just true of the multiplayer, but also the single player story and its compelling tale of drugs and police corruption.
Life Is Strange promised to explore mature and realistic themes from the start, and this second episode continues to do so even amidst the sci-fi trappings of time manipulation. Aside from a few miscued points here and there with pacing or the game's general presentation, this builds upon the first episode and draws you further into its tangled web of mystery.
One hit point, one arrow and one target; Titan Souls is an exercise in simplicity. It evokes memories of classic games, as you seek the satisfaction of striking that killing blow to a Titan. Except they are waiting for you, and though I feel there are a few bosses that are particularly difficult, this is a game that deliberately provides the kind of unforgiving challenge, and trial and error gameplay, that people will either love or hate.
Amidst the recent spate of so-called simulators, I Am Bread manages to stand out as one of the more ludicrous creations. The controls are relatively easy to grasp and once you're done with the main missions, the extra modes put a different twist on proceedings, but as always with these games, it's really at its best when you can share the nonsense with others.
Ultimately, this second act makes Broken Age whole, and it's more than worth your time to play and enjoy Tim Schafer's return to the genre in full. Yet, after such a long wait, it's a shame to see that Broken Age's second act, while continually beautiful and charming and with much more challenging puzzles, doesn't quite manage to live up to the promise from the end of the first.