VG247's Reviews
So, while the start of Shadow of the Erdtree can come off as a regression, really, the DLC as a whole is FromSoftware flexing all of its creative muscles - including some it hasn’t used in a while and others it might be building up for the future. The depth of storytelling in the Lands of Shadow, as well as the new weapons, spells and items (all of which add to the lore themselves, of course), only better your experience of the Lands Between, and make for a worthy upgrade to what is already an unforgettable adventure.
A smart choice of game to remake - it deserves it. Smartly designed, smartly pitched - arguably smartly-placed, dropped here, towards the end of the Switch’s lifespan, a victory lap for a classic from generations past. Paper Mario: The Thousand Year Door is a richly-deserved, lovingly-crafted redo of a classic. It takes one of Mario’s finest spin-offs and does just enough to refresh it while retaining everything that made it beloved in the first place. I only hope this leads to more Paper Mario games in this vein.
Though Hellblade 2 has the power to force your jaw open and give you goosebumps, too often the whole project ends up feeling like a very expensive tech demo – an absolute tour de force of technical achievement bogged down in its own sense of gravitas and mystery. Keeping you off the stick for so many of its most impactful moments, and not giving you enough to play with when you do have control, hobbles the potential of this visual and aural masterpiece enough to make the whole experience feel like it was constantly trying to find a foothold on that dread Icelandic scree, and never really getting to its feet until you come staggering over the finish line.
There are golden moments here, without a doubt. But Die by the Blade is burdened by issues that I fear will stand out for many casual players interested to try it out. But as the only modern fighting game to really approach this sub-genre of 3D one-strike action perhaps it'll find its audience. I'd recommend this to genre diehards and those who don't mind a lower budget title. For the average player, I'd give this a miss for now.
Ultimately, the more you give to Indika, the more you get out of it; whether it’s pondering the philosophical questions it asks you or soaking in the environment… just don’t anticipate any concrete answers. Indika wants you to come to those conclusions yourself, much like its troubled protagonist.
If you can stomach that pesky cake-carrying elephant, Stellar Blade is well worth your time. It's not perfect - there's room for improvement, sure - but having experienced Shift Up's first venture into a triple-A console release I'm along for the ride from here on out.
Sucker for Love: Date to Die For doesn't do anything completely groundbreaking, but it is perhaps one of the best examples out there of the thing it is doing, and it would be a shame to see it buried in the avalanche of dating sims of admittedly variable quality available on Steam. It's a stylish and well-written visual novel that finds the balance between horror story and love story, while managing to maintain both throughout. But there's more to admire. It's also a fine example of how a black comedy dating sim can simultaneously be an irreverent vehicle to admire the assets of well-endowed anime women and an inclusive experience that not only makes players not typically included in the genre feel welcome, but gracefully and authentically centres an underserved perspective.
Children of the Sun is a short but special game that is definitely bang for your buck.
Peach’s foray onto the stage is is full of whimsy and many moments of sheer joy, just as 2023's Super Mario Wonder is, but the difference is that this is Peach’s game – and hers alone. Despite the Sour Bunch trying to sully the Sparkle Theater’s reputation, Princess Peach is here - as a Cowgirl, Ninja, Detective, and so forth - to put a stop to that. And she puts on a wonderful, replayable, empowering performance while doing so.
It's a disappointing change of stance from Team Ninja, and one that could leave them open to an unfortunately mortal blow.
Dragon’s Dogma 2 is wickedly clever, tightly designed, self-aware in all the right ways, and refreshingly unconcerned with whatever the latest trends are.
Standing on its own, Unicorn Overlord is an excellent expansion of Vanillaware’s now-trademark visual style and its newer RTS mechanics, offering both gripping strategy and an atmospheric pulp fantasy world that you're going to want to sink hours and hours into.
It feels like it’s still got some room to grow in certain places in order to reach its full potential, but, unlike real world F1 in 2024, it’s pretty damn fun.
A huge part of me believes that The Outlast Trials - with a little more seamlessness between trials and objectives that aren’t rehashed and repeated - could’ve made an amazing single-player game, with multiplayer as an option. Though even with my qualms, The Outlast Trials is ultimately a game I’ve had a lot of fun with where there’s absolutely no compromise on quality, and Red Barrels should be applauded for that. It has been packed, shipped, and delivered with the utmost attentiveness from its developer. It’s just a shame that when it comes to the replayability of the game, it’s something I’ll likely revisit on occasion with friends as I would Phasmophobia or Lethal Company, and not much more than that.
I will manage to retrieve it eventually though, because if there’s one thing Expeditions and its terrifying muddy siblings will teach you, it’s that eventually overcoming the perils of picturesque, but unyielding nature through sheer relentlessness will never stop feeling rewarding.
For better and worse alike, Final Fantasy 7 Rebirth is the most impressively ambitious game Square has made since FF’s golden age. It’s glorious, in spite of painful little flaws.
As I approach the end game portion of the game, where we’re supposed to spend many more hours, and tinker with the online experience, which takes away the cool option to switch from one character to another on the go, I fear that the bland and uninspired will eventually overtake the awesome part of Suicide Squad: Kill the Justice League. It’s an extremely funny, well-made, and once-traditional co-op game stuck in a live service cage that makes it sadder and more tiring as time goes on. Will the most demanding content in the game convince players to stick around and actually engage with the ‘numbers go up’ systems? I don’t think so, but I’m not writing it off just yet.
The problem is that, as many of us know, gacha games are inherently exploitative, and even though I'm confident in resisting spending any money on them, I still feel a bit strange about the pull I'm experiencing towards such a game thanks to a seperate, supposedly stand-alone RPG. Should you play Relink for a taste of Granblue Fantasy's world? I think so! But go in knowing that it won't give you everything you might want, and take it as it is.
At a certain point you have to step back and judge a game for what it is rather than what it isn’t. After all, if you want the female protagonist there’s Portable, and if you want the epilogue there’s FES. But as a stand-alone thing – as a convenient, modern, and attractive way to experience a truly great RPG classic – Persona 3 Reload is a wonderful offering.
The Apollo Justice: Ace Attorney Trilogy is a little less consistent when compared to the two collections that preceded it, but it's still doing the good work of bringing a gem of a series to new platforms and audiences at a time when these games otherwise risk being left behind. Whether its slightly shaky attempts to position itself as a stand-alone trilogy will prove an effective draw for new players remains to be seen, but of course it's an absolute must-play if you're already a fan of the series — and if you were drawn into the franchise through the last two remastered collections and haven't encountered these three games yet, you're in for a particular treat.